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This riveting Arthur Miller play is set in 1942 in Vichy, France, where nine men are assembled in a small and dark room under a shadowy pretext. As the tension builds, the men are questioned - are they the sort of people whom the new Nazi regime considers inferior?
A L.A. Theatre Works full-cast performance featuring: Ben Diskin, Arye Gross, Jamie Hanes, Andrew Hawkes, Gregory Itzin, Robert Lesser, Jon Matthews, Lawrence Pressman, Raphael Sbarge, Armin Shimerman and Shahar Sorek.
- Sales Rank: #4327603 in Books
- Brand: Brand: LA Theatre Works
- Published on: 2002-02-01
- Number of discs: 1
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 7.55" h x .82" w x 5.69" l, .33 pounds
- Running time: 4320 seconds
- Binding: Audio CD
Features
- Used Book in Good Condition
From the Inside Flap
In Vichy, France, in 1942, nine men are detained under a shadowy pretext. As the tension builds, the men are questioned are they the sort of people whom the new Nazi regime considers "inferior?"
An L.A. Theatre Works full-cast performance featuring:
Jon Matthews as Lebeau, A Painter
Arye Gross as Bayard, An Electrician
Robert Lesser as Police Guard and Marchand, A Businessman
Gregory Itzin as Monceau, An Actor
Jamie Hanes as Gypsy
Shahar Sorek as A Waiter and Second Detective
Ben Diskin as A Boy
Andrew Hawkes as A Major
Armin Shimerman as First Detective and Professor Hoffman
Raphael Sbarge as Leduc, A Doctor
Jamie Hanes as Police Captain
Lawrence Pressman as Von Berg, A Prince
Robert Lesser as Ferrand, A Caf Proprietor
About the Author
Arthur Miller was one of the most acclaimed and influential playwrights of the twentieth century, whose notable works include The Crucible, Death of a Salesman, A View From The Bridge and All My Sons, all of which are available in full cast recordings from L.A. Theatre Works.
Gregory Itzin is an American film and television actor. He is best known for his role as President Charles Logan in the series "24", a role for which he was twice nominated for a Primetime Emmy. He has had appearances in a number of television s most popular shows during the span of his career, including, "Matlock", "ER", "CSI", "Friends", "The West Wing", and three different Star Trek series. He s also had roles in numerous films including, "Adaptation", "The Ides of March", and "Lincoln". Most recently he s had recurring roles in "The Mentalist" and "Covert Affairs".
Most helpful customer reviews
0 of 0 people found the following review helpful.
It's Miller: Four Pulitzer's. So what am I?
By David Seaman
Arthur Miller jas never been afraid to s[peak out. In 1948, Ella Wheeler Wilcox said, "To sin by Silence when we should soeak out makews cowards out of men". She could not have been speaking of Arthur Miller, as that was the yeare that "incident at Vichy" premiered. And if silence is a sin, Miller is sitting in heaven on the right hand of god with plenty of parchment, a full ink well and- l;et's face it- a MacBook Pro.
During the Occupation of France during World War II, the Nazi's established the city of Vichy as a place to "check papers" and to deport hundreds of thousands of people by grain to south east Poland to be exterminated. This play moves without a break- yes, the audience is just as much prisoners as the dozen or so men who wait to be interrogated on stage. WE get to know them all, but some much better than others and we learn that one of our favorites will no doubt be gassed within days.
He is a Jew in southern France with bogus papers. He had a good hiding place with his wife and children but ventured out that morning to try to find codeine for a tootch ache that had become infected in his wife's lower jaw. On the street, he was detained, his nose was measured and he was brought to this detention center.
` In a way that only Arthur Miller could do , we are right there with there as the arguments and discussions o on between them while one after another is taken into thre office behind tghem. There are some we know will die; some we know will not. Those in question we form our own opinions about them but in the end it comes down to the morality of two men and the answer to the question, " What then must we do?"
This is an all male cast, so it's a fantastic project for a male prep school or college (How many times can you do twelve Angry Men) Arthur Miller is teimless and always remains fresh on the stage.
0 of 0 people found the following review helpful.
Compelling
By Amazon Customer
I think this is Arthur Miller at his best. Outstanding dialog, poignant themes, unrelenting tension. Acting is superb, and I am once again grateful to LA Theater Works for producing such a marvelous list of theater productions.
In this claustrophobic play nine men find themselves trapped in a room after being picked up during document checks in occupied France, during WWII. What do the Germans want from them? Are all those impossible-to-believe rumors about trains transporting Jews to concentration camps in Poland true? Why do people spread such unbelievable but terrifying rumors about furnaces to burn people in their thousands? One by one the men will enter an adjoining room where a "doctor" and a German officer will examine their papers and maybe something else to separate the "undesirable" from the rest. The ones that remain in the room are left wondering about their and Europe's future, the reasons for their arrest, the truth about the terrible rumors about concentration camps, the role of choice and individual responsibility in front of senseless and systematic cruelty.
A wonderful and poignant play, highly recommended.
0 of 0 people found the following review helpful.
"Every nation has someone they condemn for their race."
By Mary Whipple
In this stunning play, set in a holding room in Vichy, France, in 1942, Arthur Miller introduces nine men who have been picked up on suspicion that they are Jews or Jewish sympathizers. As they are called, one by one, to be interrogated by Nazi officials before being released or put on the thirty-car freight train waiting at the station, they reveal their thinking, their rationalizations for having been picked up, and their belief that this is all a big mistake. A German major involved in the interrogations also begins to question his own role, reminding his colleague, a professor in charge of carrying out Nazi racial policies, that he is a "line officer," not trained for his role.
Waiting to be questioned are an actor, a waiter, a businessman, a psychoanalyst, a Marxist railroad worker, a gypsy, an ancient Hasid, a fourteen-year-old boy, and an Austrian prince. As they talk and begin to share bits of information, Miller examines the tendency of ordinary men, who are often victims, to become immobilized when faced with "an atrocity...that is inconceivable," to refuse to believe that such behavior can possibly happen in a civilized world. At the same time, he also examines those others, the Nazis and their collaborators in France, who serve an ideology, not mankind, those who subordinate themselves so completely to an abstract concept that they believe "there are no persons anymore."
As the truth about the waiting train and its destination slowly emerges, the sense of dread becomes palpable. The psychoanalyst, trying to rouse people to overpower the single guard on duty, cannot make his fellow captives understand that it is their belief that the world is essentially rational that keeps them from acting, and that the Nazis count on this belief. Pivotal to the action is von Berg, the young Austrian prince, a Christian who left his property and thousand-year-old heritage to escape to France, a man whose heart is in the right place but who does not understand that he himself must accept complicity in the rise of the Nazis.
Beautifully paced, the play is an unusually sophisticated treatment of this subject. Miller does not see events purely in black and white, showing instead that everyone creates his own reality to keep from accepting the unthinkable. Written in 1964, while Miller was representing the New York Herald Tribune at the Frankfurt war crimes trials of officials from Auschwitz/Birkenau, this play is Miller's creative reaction to the atrocities he has heard first-hand--and one of his most powerful plays. Mary Whipple
For videos or DVDs of live performances of Miller plays:
Incident at Vichy (Broadway Theatre Archive)
Death of a Salesman (Broadway Theatre Archive)
An Enemy of the People (Broadway Theatre Archive)
A Memory of Two Mondays (Broadway Theatre Archive)
Broadway Theatre Archive Arthur Miller Collection (Death of a Salesman/Incident at Vichy/Enemy of the People/Memory of Two Mondays)
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